Season Ticket ’Jublilee Oratorio’ SUN. MOON. FOLK SONGS. “A continuation of ‘Cantata profana,’ ” said Romanian-Hungarian music historian Ferenc László about György Kurtág’s Colindă-Baladă. In his cantata, Kurtág used the text and melody of a traditional Romanian-language Christmas carol collected by Hungarian composer Bartók: the song tells the story of love between the Sun and the Moon, brother and sister. Written for tenor solo, choir and chamber ensemble, the composition evokes the spirit of Bartók and recalls Kurtág’s youth in Romania while also connecting the musical piece to both the pagan and the Christian past through the archaic text of the
Jubileumi oratóriumbérlet NAP. HOLD. NÉPDALOK. „A Cantata profana folytatása.” – mondta Kurtág György Colindă-Baladă című darabjáról László Ferenc, romániai magyar zenetörténész. Kurtág egy olyan Bartók által gyűjtött román nyelvű kolinda-szöveget és dallamot dolgozott fel kantátájában, mely a Nap és a Hold, fivér és nővér szerelmét beszéli el. A tenorszólóra, kórusra és kamaraegyüttesre írt kompozíció egyszerre idézi meg Bartók szellemét, és emlékezik vissza Kurtág Romániában töltött ifjúkorára, miközben az archaikus szövegen keresztül kapcsolatot tart mind a pogány, mind a keresztény régmúlttal. A Falun népdalfeldolgozás-sorozat több szempontból is fontos darabja Bartók életművének. Dedikációja Bartók második feleségének, Pásztory Dittának szól, és egy olyan
The Hungarian Radio Symphony Orchestra and the Choir of the Hungarian National Radio conducted by Gergely Ménesi are looking forward to welcoming you at their concert.
At Variations Concert No. 2 to be staged on 5th November, Hungarian Radio Art Groups’ Musical Director and conductor Domonkos Héja will be guiding the audience on their musical journey.
Ismerd meg a Delyana Lazarova által vezényelt koncert programjának történetét!
HEROISM. DESTINY. GLORIFICATION. At this Beethoven evening dedicated to the themes of heroism, destiny and glorification, Domonkos Héja will conduct “Coriolan Overture” and “Symphony No. 5”, also known as “Fate Symphony,” as well as the great composer’s “Triple Concerto”. When Ernő Dohnányi played all five of Beethoven’s piano concertos at two consecutive concerts in 1917, the highlight of this programme was Dohnányi’s performance of “Triple Concerto” staged with musical verve befitting Beethoven, as a contemporary review describes. This time, again, we will not have to do without youthful verve as the soloists of the evening will be highly-acclaimed musicians nearing
At the end of September, the Hungarian Radio Symphony Orchestra will once again set off — this time on a tour to Oman. The Royal Opera House Muscat welcomes the renowned Hungarian Radio Symphony Orchestra, one of Central Europe’s leading ensembles with a rich tradition dating back to 1943. Known for its exceptional interpretations and international collaborations, the orchestra brings a stirring symphonic concert to Muscat. The evening’s repertoire will feature a captivating selection of Hungarian and Arabic classical masterpieces and traditional compositions, showcasing the country’s musical heritage. Join us to experience the vibrant and lyrical sounds of Hungary performed
Fretyán Dávidot és Fodré Lajos Sándort díjazták a Magyar Rádió Művészeti Együttesei.
Season Ticket ‘Youth’ SPORT. COMPETITION. MUSICAL PIECES. If there were an Olympics for instruments or instrumentalists, participants would surely have to compete at this event in playing various musical pieces and staging performances to test their skills, strength, explosiveness and speed. And all this would certainly happen to the greatest delight of spectators and fans. Concerning a Vivaldi concerto, for example, one might be thrilled by the dizzying speed of the piccolo effortlessly conquering heights; and the acrobatic acts of the movement ‘La campanella’ of Paganini’s famous Violin Concerto would certainly take one’s breath away. For this Olympics, Mozart could
Season Ticket ‘Youth’ SPORT. COMPETITION. MUSICAL PIECES. If there were an Olympics for instruments or instrumentalists, participants would surely have to compete at this event in playing various musical pieces and staging performances to test their skills, strength, explosiveness and speed. And all this would certainly happen to the greatest delight of spectators and fans. Concerning a Vivaldi concerto, for example, one might be thrilled by the dizzying speed of the piccolo effortlessly conquering heights; and the acrobatic acts of the movement ‘La campanella’ of Paganini’s famous Violin Concerto would certainly take one’s breath away. For this Olympics, Mozart could
